Monday, March 22, 2010
Useful Tools
Some useful tools that I use once in a while. The kistka
wax writing tool on the left is what I use to mask out fine
lines, hair or whiskers on a face. This tool can be found at
Michaels craft stores at Easter time. The masking fluid
has to be diluted with water to thin it. Watercolor paint
can also be used in this for a fine line. The kistka comes
in fine, medium or heavy openings.
The middle microbrushes are great for lifting a splatter
drop in the wrong spot or applying masking in tight areas.
A few portraits were saved by lifting with this brush.
The last is a gum brush that can be found in the dental
aisle of a drugstore which is great for lifting or softening
a color that has dried without ripping the paper. The bristles
are soft and can get in tight areas.
This painting is of a Roland Roycraft study I did 15 yrs
ago trying out his technique. The small blades of grass
in the lower right corner were masked out using a kistka
writing tool. It's too hard to achieve this small of a
line with a brush. The other masking was done with a
brush which was too large for some of the reflections
in the water.
Wednesday, March 10, 2010
The Subjects We Paint
This is a drawing by pastel landscape painter
Richard McKinley who discusses the need to
paint or draw all three of the subjects for practice:
still life, landscape and portraits to keep our artistic
skills at their best. Here is part of his
article:
"In becoming a well-trained painter, each of these
subject areas—still life, portrait, and landscape—
provides a lesson and should not be overlooked due
to a lack of motivation. You may not be attracted to
the still life, uninterested in the portrait, or feel
dispassionate about the landscape, but by practicing
them you will polish technical skills that make you
a more confident painter. A painting is a configuration
of accurate shapes, a representation of lights
influences, and a sensitive arrangement of colors.
These exist in every representational painting, and
for that matter every abstract painting. Individual
subject matter is all composed of them. In that regard,
everything we paint is all the same. Each subject does
provide a heightened lesson, though. The still life
teaches the importance of value. Within the confines
of a relatively small distance, the influence of light
and the manipulation of edge create form. The portrait
teaches accurate drawing. The human likeness allows for
no error. The landscape teaches color harmony. Natural
light and its influence across nature’s palette help us
to understand the relationship all colors have to one
another. A wise instructor passed this thought on to
me many years ago: “To learn value relationships, it’s
the still life; to draw, it’s the portrait; and to become
sensitive to color, it’s the landscape. Each has something
to offer. Practice them often and then paint your passions!”
[pictured above] A portrait drawing demonstration of mine;
just to prove that I still do my homework.
Monday, March 1, 2010
Sunshine Award
This award is given to bloggers for sharing their
creativity and positive attitude. It was given to
me by Srishti Art and Jane Minter.Vist both blogs
to see their work.
My list of bloggers I want to spotlight are ones who are old
favorites, new ones just discovered or those just getting started:
Robert Burridge mixed media, a great teacher.
Liz Hill mixed media in figures
Thomas W Schaller award winning watercolorist.
Lisa Walsh self taught artist who is in a mid-life crisis
with a sassy attitude!
Crystal Cook a stay at home mom
who specializes in children's portraits who just started a blog.
Check out her blog!
David Boyd self taught artist who has a nice style.
Matthew Innis what's new in the art scene in general
with some of Matthew's art.
Cheryl Devoto a talented new blogger.
Julie Hill Discovered she has a talent for art, self taught.
Donna Watson workshop instructor specializing in collage
and mixed media
Jose Luis Corella Is it a photograph or painting?
Alicia Sotherland pastel artist specializing in portraits
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